How to Become a Concert Promoter in 2025: Key Skills, Tools, and Strategies for Success

The live music industry is thriving in 2025, offering exciting opportunities for aspiring concert promoters. However, breaking into this competitive field requires networking, skills, and a deep understanding of how the industry operates. Whether you're just starting or looking to grow, this guide will walk you through the essentials of becoming a concert promoter, including key job requirements, tools, and insider tips.

Before you begin, it’s also very important to understand “How Shows Get Booked.” Here is a tutorial on the entire booking process from getting the avail to going on sale.

Key Job Requirements for Concert Promoters

1. Networking is Everything

Building connections is the cornerstone of a successful career as a concert promoter. It’s not just about who you know but who knows you. Here’s how to get started:

  • Attend Industry Conferences:

    • PollstarLive (Los Angeles, February): A top-tier conference for high-level industry professionals.

    • IEBA (Nashville, October): A must-attend event for connecting with entertainment buyers and agents.

    • NIVA Conference: Ideal for connecting with independent promoters and venues.

    • Bonus: SXSW (Austin, March) is great for exploring the broader creative landscape.

  • Cold Outreach: Cold emails and calls are inevitable when starting out. Use these methods to introduce yourself to agents and promoters. Remember to keep the tone professional and concise.

  • Face-to-Face Meetings: Once you’ve established initial contact, plan trips to industry hubs like Los Angeles, Nashville, and New York. Meeting in person strengthens relationships and shows your commitment.

2. Develop Key Skills

Successful concert promoters possess a mix of soft and hard skills:

  • Communication: Email remains the primary form of communication, but a well-timed phone call can make all the difference.

  • Negotiation: Understanding deal structures is crucial when working with agents and venues.

  • Patience and Persistence: Building relationships and booking shows take time, so consistency is key.

3. Understand the Financial Landscape

Salary expectations for concert promoters vary widely. Articles online suggest a range of $28,000 to $187,000 per year, but if you’re running your own business, the sky's the limit. Early on, focus on building experience and revenue streams like ancillary income and promoter rebates.

Essential Tools for Concert Promoters

1. Industry Platforms

  • PollstarPro: Offers invaluable insights into new signings, tour announcements, and artist performance history. Start with the Industry Hotwire feature to track emerging talent.

  • Rostr: A tool that maps agency representation for artists and provides valuable visuals for festival lineups and agent relationships.

  • Celebrity Access: An additional resource for industry contacts and event news.

2. Venue Research

Subscribe to email newsletters from venues across the country, focusing on spaces with 200–1,000 capacities. Analyze their announcements to identify potential booking opportunities in your market.

3. Festivals and Newsletters

Stay updated on festival lineups and emerging artists by following industry newsletters. Look for acts that haven’t toured your region yet—they’re likely to be open to new markets.

Steps to Building Your Career

1. Start Locally

Begin by organizing small events:

  • Local showcases

  • Club nights featuring emerging artists

  • House concerts

These events allow you to build a reputation, gain experience, and establish relationships with local artists and venues.

2. Follow Up Religiously

Networking doesn’t stop after the first meeting. Regularly follow up with agents, promoters, and other industry contacts. Keep communication concise and professional, ensuring you stay on their radar without becoming a nuisance.

3. Invest in Relationships

As you book shows and develop rapport with agents, consider visiting their cities for in-person meetings. Prioritize trips to Los Angeles, Nashville, and New York, and consider secondary markets like Denver and Chicago for additional networking opportunities.

Keys to Success in Concert Promotion

  1. Master Forecasting: Accurate budgeting is critical. Understand ticket sales potential, expenses, and ancillary revenue streams to maximize profitability.

  2. Embrace Feedback: If you lose out on a show, ask agents what you could do better. This feedback is invaluable for growth.

  3. Be Part of Your Local Scene: Attend shows, support local artists, and immerse yourself in the community. Building a scene benefits everyone involved.

Final Thoughts

Becoming a concert promoter in 2025 requires dedication, strategic networking, and a passion for live music. While the road can be challenging, the rewards are worth it for those willing to put in the work. Start small, leverage the tools and strategies outlined here, and continuously invest in building your skills and network.

Want to dive deeper? Check out the full 45-minute video with more tips and strategies on Patreon.

Ryan Murphy, of Huntsville Amphitheater and Venue Group, on Building Venues and Strong Communities with a Foundation of Punk Rock

Ryan Murphy Cover.jpg

You can also listen to this episode on iTunes | Spotify | Stitcher |

Ryan Murphy is the President of Huntsville Venue Group and Head of Amphitheaters and Venues for Venue Group. His company is currently working with the city of Huntsville, AL to design, construct, and operate the Huntsville Amphitheater, an 8,000 seat venue. His career started playing in Punk Rock bands around the world, and always being a leader within his community and local music scene. Living in Daytona Beach, FL  where there were no options for bands to play an all-ages venue, Ryan rented out a conference room at the local Ramada Inn to put on his first concert and mini music festival.  His journey led him to Gainesville, FL where he worked for No Idea Records, while still touring with his bands. 

With a giant passion for migrant workers and supporting his local community, Ryan and a group of friends organized the Harvest of Hope Festival in 2009 and 2010. The inaugural year included artists such as Against Me!, The National, Broken Social Scene, Bad Brains, Girl Talk, and many more. In 2010, Ryan started working for the St. Augustine Amphitheatre where he became the General Manager and Director of Cultural Events Division for St. John’s County. Ryan played a major role in building the culture and vibe that makes St. Augustine Amphitheatre such a special place to play, work, and experience concerts. In 2016, Ryan and his team launched the Sing Out Loud Festival, a month-long music festival that takes over all of St. Augustine, which featured headliner Kacey Musgraves in 2019.  Ryan is also very involved in operating venues that our environment and sustainability conscious. Through the Green Hands Project, they’ve drastically reduced the amount of waste that comes with promoting concerts. 

Ryan Murphy is one of the first people in the industry that took the time to meet with me. It was when he was organizing the second Harvest of Hope Festival when I took a ride from Orlando to Gainesville, and he invited me for pizza. It’s been inspiring to watch his journey and getting to work shows with him at St. Augustine Amphitheater. In this episode, we talk about Ryan’s journey, the importance of running a venue that’s mindful of its local community, and stories from his adventures throughout his journey. I hope you enjoy this conversation with the amazing Ryan Murphy. 

The Podcast Is Now Available as Video on YouTube

Quotes from Ryan Murphy
“Music is the lifeblood.”
“It’s a weird business to be in when you’re counting the number of beers that you sold.” 
“You gotta be able to be open to a lot of different people and their ideas.” 
“Find the people within institutions that you can have a heart to heart with.” 
“We have a lot more in common that we don’t.” 
“In the end, you’re probably making more money by spending a little more money to treat people well.” 
“You gotta make them feel like what you’re working towards is something they believe in.” 
“If I’m gonna expect for the community to give a shit, and defend the amphitheater, get behind the amphitheater and my vision, I better be out  there working for them, and what they believe in as well.” 
“I don’t really care who promotes, I want the artist to know that they’re playing St. Augustine.” 
“Being a neutral party is very important.” 
“Move to a community that really inspires you.” 
“Find the people that inspire you and try to reach out to them and learn from them.” 

Highlights from this Episode
[5:55] Working on Huntsville Amphitheater 
[8:50] Why Huntsville, AL? 
[15:00] Other venues in Huntsville, AL 
[16:45] Impact of COVID-19 
[22:10] Changes to how Venues do Business after COVID-19 
[25:36] Growing up in Daytona Beach, FL 
[31:05] Experience playing in bands 
[34:54] Studying at University of Florida 
[37:10] Passion for Local Businesses 
[38:30] Building your network and genuine relationships 
[42:10] Organizing house concerts 
[45:40] Creative touring strategy 
[47:50] House shows are not just for Singer-Songwriters 
[49:32] Harvest of Hope Festival and St. Augustine Amphitheater 
[58:50] The experience of St. Augustine Amphitheater
[1:03:45] Hiring, Recruiting, and Training Employees 
[1:06:20] Having a Volunteer Program for your venue 
[1:09:40] Supporting the local community 
[1:10:35] Working with outside promoters as a venue 
[1:17:30] Advice for new people in the industry 
[1:20:45] Being held back by your organization 
[1:24:28] Getting to Know Ryan Murphy 

Links to people, places, and things mentioned
Huntsville Amphitheater 
Venue Group 
St. Augustine Amphitheatre 
Ben Lovett of Mumford & Sons 
Sound Diplomacy 
Red Rocks Amphitheater 
Hollywood Bowl
The Greek Theatre 
Von Braun Center 
Live Nation
AEG Presents 
Peabody Auditorium 
Hot Water Music 
No Idea Records 
Fugazi 
Steve Aoki 
Diplo 
Harvest of Hope Festival 
Cafe Eleven in St. Augustine, FL 
Bill Graham (Legendary Concert Promoter) 
ZZ Top
John Legend
The Avett Brothers 
Ponte Vedra Concert Hall
Sing Out Loud Festival 
Green Hands Project 
Women in Music Festival in Huntsville, AL 
Jim Mallonee (Live Nation) 
Ian MacKaye   
University of Florida (UF) 
Devo 
Nine Inch Nails 
Jane’s Addiction 
Primus 
Michael Pollan (Author) 
The Potlikker Papers by John T. Edge  (Book)
Bitter Southerner
Dolly Parton 
Dolly Parton’s America Podcast 

Ryan Murphy’s Definition of Making It:
“No matter what you’re faced with, standing up for what you believe in.”  

Get in touch with Ryan Murphy
Huntsville Amphitheater 
Venue Group 
Instagram 

Related Articles & Episodes: 
Jim Mallonee of Live Nation - 35+ Years of Booking (Episode 80)
Ben Weeden - COO Of Live Nation Building the Largest Portfolio of Clubs & Theaters (Episode 50)
Jason Hunnicutt of 1904 Music Hall - Running & Operating Your Own Venue (Episode 30)
Kevin Stone - Program Director of Florida Theatre - Booking Philosophies (Episode 14 & 15)

Keep in touch:
chris.goyzueta@gmail.com
www.makingitwithchrisg.com
https://www.instagram.com/chrisgoyzueta/
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Credits: 
Host: Chris Goyzueta (Chris G.)
Producer: Jason Trosclair
Executive Producer: ONElive Creative Agency  
Music: Emily Kopp